Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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MARTORELL, Bernat (Bernardo)
From the Legend of ST George The Saint Decapitated (mk05)

ID: 20336

MARTORELL, Bernat (Bernardo) From the Legend of ST George The Saint Decapitated (mk05)
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MARTORELL, Bernat (Bernardo) From the Legend of ST George The Saint Decapitated (mk05)


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MARTORELL, Bernat (Bernardo)

Spanish Early Renaissance Painter, ca.1400-1452  Related Paintings of MARTORELL, Bernat (Bernardo) :. | From the Legend of ST George The Saint Decapitated (mk05) | The Decapitation of St.George | The Nativity | Saint George Killing the Dragon | The Nativity (detail) dh |
Related Artists:
CECCO DEL CARAVAGGIO
Italian Baroque Era Painter, active ca.1610-1620 Painter active in Italy. His nationality is not known. He was a follower of Caravaggio, and his rare works reveal a highly original and idiosyncratic response to that artist's naturalism. Agostino Tassi mentioned him as involved, with several French artists, in the decoration of the Villa Lante at Bagnaia between 1613 and 1615,
Marten de Vos
(1532-1603), also Maarten, was a leading Antwerp painter and draughtsman in the late sixteenth century.
Leonardo Alenza Y Nieto
b Madrid, 6 Nov 1807; d Madrid, 30 June 1845 Spanish painter and illustrator. He studied at the Real Academia de S Fernando, Madrid, under Juan Antonio Ribera y Fern?ndez and Jos? de Madrazo y Agudo. He worked independently of court circles and achieved some fame but nevertheless died in such poverty that his burial was paid for by friends. He is often described as the last of the followers of Goya, in whose Caprichos and drawings he found inspiration for the genre scenes for which he became best known. Of these scenes of everyday life and customs the more interesting include The Beating (Madrid, Cas?n Buen Retiro) and Galician with Puppets (c. 1835; Madrid, Cas?n Buen Retiro; see SPAIN, fig. 17). Alenza y Nieto's numerous drawings include the illustrations for Alain-Ren? Lesage's Gil Blas (Madrid, 1840), for an edition of the poems of Francisco de Quevedo published by Castello and for the reviews Semanario pintoresco and El Reflejo. The painting Triumph of David






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